{"id":149,"date":"2024-03-14T09:22:41","date_gmt":"2024-03-14T12:22:41","guid":{"rendered":"https:\/\/datosyarte.digital\/?p=149"},"modified":"2024-03-20T10:17:11","modified_gmt":"2024-03-20T13:17:11","slug":"brecha-01-02","status":"publish","type":"post","link":"https:\/\/datosyarte.digital\/pt\/17-data-art_\/brecha-01-02\/","title":{"rendered":"Lacuna 01 &amp; 02"},"content":{"rendered":"<h5 class=\"wp-block-heading\">Instala\u00e7\u00e3o<br>Guatemala<br>2016<\/h5>\n\n\n\n<p>Gr\u00e1ficos s\u00e3o representa\u00e7\u00f5es. Recursos que se manifestam visualmente para mostrar rela\u00e7\u00f5es estat\u00edsticas, para interpretar um fen\u00f4meno atrav\u00e9s das propor\u00e7\u00f5es de uma figura em um espa\u00e7o. Fugindo da representa\u00e7\u00e3o, este trabalho trabalha com gr\u00e1ficos com os pr\u00f3prios objetos ao inv\u00e9s de represent\u00e1-los. Algo t\u00e3o \u00f3bvio como personificar o dinheiro com uma conta ou o tempo com um rel\u00f3gio. S\u00e3o as grafias que usamos no dia a dia.<\/p>\n\n\n\n<p>Os rel\u00f3gios masculinos e femininos n\u00e3o significam a mesma coisa. Se forem contabilizadas as horas de trabalho n\u00e3o remunerado, a grande lacuna torna-se vis\u00edvel. Os homens, em m\u00e9dia, passam 3 horas em trabalho n\u00e3o remunerado, mas as mulheres realizam quase um dia de trabalho sem receber reconhecimento: 7 horas.<\/p>\n\n\n\n<p>A partir do questionamento dos gr\u00e1ficos como unidades de medida, o exerc\u00edcio retorna aos elementos que servem para contar o mundo cotidiano. Ele desafia n\u00e3o a visualiza\u00e7\u00e3o de dados \u2013 utiliza gr\u00e1ficos de pizza e de barras \u2013 mas o uso de abstra\u00e7\u00e3o nas medi\u00e7\u00f5es.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"711\" src=\"https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/IMG_20180927_172259-1-1024x711.jpg\" alt=\"\" class=\"wp-image-153\" srcset=\"https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/IMG_20180927_172259-1-1024x711.jpg 1024w, https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/IMG_20180927_172259-1-300x208.jpg 300w, https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/IMG_20180927_172259-1-768x533.jpg 768w, https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/IMG_20180927_172259-1-1536x1067.jpg 1536w, https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/IMG_20180927_172259-1-2048x1422.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/Copia-de-68ce9955950059.599a7a66431d4-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"376\" height=\"376\" src=\"https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/Copia-de-68ce9955950059.599a7a66431d4-2.jpg\" alt=\"\" class=\"wp-image-154\" srcset=\"https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/Copia-de-68ce9955950059.599a7a66431d4-2.jpg 376w, https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/Copia-de-68ce9955950059.599a7a66431d4-2-300x300.jpg 300w, https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/Copia-de-68ce9955950059.599a7a66431d4-2-200x200.jpg 200w\" sizes=\"auto, (max-width: 376px) 100vw, 376px\" \/><\/a><figcaption class=\"wp-element-caption\">Em 2002, por cada Q100 que um homem ganhava, uma mulher ganhava Q62.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/Copia-de-68ce9955950059.599a7a66431d4.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"376\" height=\"377\" src=\"https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/Copia-de-68ce9955950059.599a7a66431d4.jpg\" alt=\"\" class=\"wp-image-155\" srcset=\"https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/Copia-de-68ce9955950059.599a7a66431d4.jpg 376w, https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/Copia-de-68ce9955950059.599a7a66431d4-300x300.jpg 300w, https:\/\/datosyarte.digital\/wp-content\/uploads\/2024\/03\/Copia-de-68ce9955950059.599a7a66431d4-200x200.jpg 200w\" sizes=\"auto, (max-width: 376px) 100vw, 376px\" \/><\/a><figcaption class=\"wp-element-caption\">Em 2013, para cada Q100 que um homem ganhava, uma mulher ganhava Q84.<\/figcaption><\/figure>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Instalaci\u00f3nGuatemala2016 Las gr\u00e1ficas son representaciones. Recursos que se manifiestan visualmente para mostrar relaciones esta- d\u00edsticas, para interpretar un fen\u00f3meno a trav\u00e9s de las proporciones de una figura en un espacio. Huyendo de la representaci\u00f3n, esta obra trabaja las gr\u00e1ficas con los objetos mismos en vez de representarlos. Algo tan obvio como personificar al dinero con [&hellip;]<\/p>","protected":false},"author":3,"featured_media":150,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[30],"class_list":["post-149","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-17-data-art_","tag-daniel-villatoro-garcia"],"_links":{"self":[{"href":"https:\/\/datosyarte.digital\/pt\/wp-json\/wp\/v2\/posts\/149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/datosyarte.digital\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/datosyarte.digital\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/datosyarte.digital\/pt\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/datosyarte.digital\/pt\/wp-json\/wp\/v2\/comments?post=149"}],"version-history":[{"count":3,"href":"https:\/\/datosyarte.digital\/pt\/wp-json\/wp\/v2\/posts\/149\/revisions"}],"predecessor-version":[{"id":156,"href":"https:\/\/datosyarte.digital\/pt\/wp-json\/wp\/v2\/posts\/149\/revisions\/156"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/datosyarte.digital\/pt\/wp-json\/wp\/v2\/media\/150"}],"wp:attachment":[{"href":"https:\/\/datosyarte.digital\/pt\/wp-json\/wp\/v2\/media?parent=149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/datosyarte.digital\/pt\/wp-json\/wp\/v2\/categories?post=149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/datosyarte.digital\/pt\/wp-json\/wp\/v2\/tags?post=149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}